A vividly hilarious ‘Pericles,’ in rep at American Shakespeare Middle






Face it: as a lot as we love Shakespeare, there are some performs that appear to be utter chaos on the web page, cobbled collectively like a 5-year-old’s collage with no rhyme or cause. We skip over them, on the way in which to one thing extra, properly, readable and understandable.

What we miss, after all, is that we’ve by no means seen these gems carried out. And we must be eternally grateful that Staunton’s American Shakespeare Middle is aware of precisely what’s required to carry these seemingly odd performs vividly to life—so vividly and hilariously, you allow the theater questioning why on earth no person else has touched it.

Annabelle Rollison as Refrain in ‘Pericles.’ Photograph by Anna Kariel.

Rounding out the ASC’s fall repertory, from their Actor’s Renaissance Season, is Pericles, a case research in chaos based on plan, a seemingly scorching mess that makes excellent comedic sense as soon as you set it on the boards. The appearing firm clearly relishes this materials and mines it afresh for each doable chortle line, each doable alternative for affordable schtick, slapstick, you identify it—and it’s a superb factor to behold.

Main the solid is Mauricio Miranda because the title character, Prince Pericles of Tyre, whose many travels and travails take us everywhere in the Mediterranean world, in his stressed seek for real love, with a wholesome dose of loss and completely happy reunions alongside the way in which. Miranda (who makes a high quality Ferdinand within the different two productions, The Tempest and Une Tempête) is completely endearing because the hero of our play, a terminally awkward teenager at first, however one who grows right into a smart maturity tinged with nice disappointment.

One of many many highlights right here is Pericles’ courtship with Princess Thaisa, performed to perfection by Meg Rodgers. They reenact that the majority touchingly awkward of teenage romances, with every of them taking turns making fools of themselves, to the delight of all. It’s Thaisa’s (seeming) demise in childbirth, within the midst of a ravenous storm, that may plunge Pericles into deep grief, made all of the extra poignant as a result of we’ve seen their first assembly.

Mauricio Miranda as Pericles, James Keegan as Simonides, and Meg Rodgers as Thaisa in ‘Pericles.’ Photograph by Anna Kariel.

The play itself is infamous for violating nearly each rule of Hollywood dramaturgy—it begins, like, on web page one, with the “Huge Reveal” of a royal incestuous relationship in Antioch, the invention of which forces younger Pericles to flee for his life. (The alternative of Chinatown, in different phrases.)

The place on earth do you go from there? Loads of locations, it seems. And with the commanding Annabelle Rollinson as our Refrain, guiding us from one port of name to the subsequent, the travelogue is as richly rewarding as something you’ll see this season. And it ends with a kind of uncommon emotional moments in dwell theatre, a tearful reunion punctuated by stomach laughs. The tears and laughter actually occur collectively, and you’re rewarded with a contented ending, explicitly cooked up simply to your pleasure.

With star turns all over the place you look it’s grossly unfair to choose and select—however what the heck, right here goes: James Keegan’s comedian timing is ideal as Simonides, Thais’ father, who solely pretends to rail at Pericles whereas just about guaranteeing that the boy will quickly develop into his son-in-law. Sam Saint-Ours, the ASC’s musical director, cleverly accompanies Pericles on mandolin throughout the opening “riddle” scene (with that nasty massive reveal I simply talked about), however he then morphs right into a doddering Helicanus, who someway manages to stay standing, whereas operating Tyre, throughout Pericles’ many travels.

In the meantime again in Ephesus, Summer season England provides us the sauciest Bawd ever, with an over-the-top southern accent, and we watch with nice amusement as she tries, and fails, to show Pericles’ daughter, Princess Marina—the spectacular Corrie Inexperienced—right into a working woman. Marina’s reunion together with her father (did I point out the play covers, like, 20 years?) is touching, and Miranda’s transition from distress to pleasure is properly accomplished.

Ensemble of ‘Pericles.’ Photograph by Anna Kariel.

The present’s soundtrack has its witty moments, starting with Brandon Carter taking over the Speaking Heads traditional track about displacement, “This Should Be the Place,” within the preshow, in addition to touches of Don Gibson and Dolly Parton (“Sea of Heartbreak,” after all, and “Mild of a Clear Blue Morning”) throughout intermission.

Backside line: if it’s by Shakespeare, and it’s carried out by the ASC, you must see it accomplished. As a result of it’s accomplished proper, finish of story. This Pericles is an instantaneous traditional, and properly well worth the drive, the tolls, no matter it takes to get you to Staunton.

Pericles performs solely by way of November 20, in repertory with The Tempest and Une Tempête. Get busy, and get tickets!

Working Time: About two hours, with one intermission.

Pericles, part of American Shakespeare Middle’s Actor’s Renaissance Season, performs by way of November 20, 2022, in repertory with Une Tempête and The Tempest. All performances are on the Blackfriars Playhouse, 10 South Market Road, Staunton, VA. For data and tickets ($27–$60, with an choice to enroll in the pay-what-you-will membership), go to americanshakespearecenter.com.

Credit for Pericles are on-line right here (click on on “solid” and on “creative staff”).

COVID Security: American Shakespeare Middle strongly encourages patrons to masks when doable. ASC’s full COVID-19 Security Customer’s Information is right here.

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